Talking Down to Readers

 

 

In Publishing News this week.

 

Last week I mentioned that Booktopia in Australia had found a buyer, this week Simon and Schuster (Australia) has been shopping and they have bought Affirm Press. They want to expand their markets in Australia and New Zealand apparently. 

 

The numbers are in and PenguinRandomHouse has made some money.  Publishers Weekly reports the good news. It might have something to do with all that restructuring they have been doing.

 

Apple Books has started laying off workers, GoodEReader reports. Apple haven’t really been focused on its book platform for a while. This may be a sign of the coming times.

 

Just when you thought all that crazy book censoring was happening in one very large western country the UK woke up to discover it’s happening in their school libraries too.

In contrast, there are schools wanting to embrace PRH’s Book Vending machines. PenguinRandomHouse has provided a book vending machine to showcase its Lit in Colour series. The machine is stocked with books written by diverse authors of colour. 

 

Every few years some bright spark in publishing looks at the huge secondhand book market and wonders… How can I get a piece of that? Bookshop.org is the latest to try with secondhand books worth credits in the Bookshop.org store. But is anyone really going to send their books off?

 

Written Word Media have a detailed look at the new KDP author verification requirements and breaks down what is important. A must read if you publish on this platform.

 

On Jane Friedman’s popular blog, Amy Bernstein writes- What you can learn from a serial submitter to literary magazines. When you have assimilated all the good advice then hop over to curiosityneverkilledthewriter.com and look at the 67 submission opportunities for September.

 

The Alliance of Independent Authors has another in depth article- this one on creating nonfiction courses to complement your nonfiction book.

 

I’ve just finished reading a story that had some masterful backstory slid into it. Then I came across this great article from Lisa Hall Wilson explaining just how to do this kind of deep point of view backstory layering.

 

In The Craft Section,

How to strengthen a lean manuscript- Lisa Fellinger- Bookmark

Story structure as a fractal- September Fawkes- Bookmark

Should you abandon your novel- James Scott Bell

Steadfast arcs- September Fawkes

10 editing tips- C S Lakin- Bookmark

 

In The Marketing Section,

4 Facebook features

The matter of titles-Barbara Linn Probst- Bookmark

Comp titles- PenguinRandomhouse blog

Making your website friendlier- Debbie Burke- Bookmark

Getting into the Goodreads author program-podcast- Penny Sansevieri- Bookmark

 

To Finish,

Every few years around this time in the Northern Hemisphere news cycle the same click baity headline somehow gets recycled. Are Romance Novels Literature? The latest to ask this is Time- with its 50 best romances list. Mark Williams of the New Publishing Standard vents on this. 

A literature novel can have a romance in it. (Test: If you took out the romance would it still stand as a novel?) Romance as a genre should have the romance as the driving force in the story. The question “Is (fill in your own genre) literature?” sets up an argument of snobbery with ‘literature’ seen as more highbrow. 

Literature is a genre.

It is not a genre with huge sales compared to other genres. It has cemented itself into creative writing faculties across the world so that its authors can make a living.

You never see the headline – Are crime thrillers literature? It is always Romance that is picked on. Is it the covers? The perceived readership? The sales? The jealousy of the author paycheck, that makes this genre a target? Stop going for the tired old click bait headline. We should be encouraging and celebrating reading- regardless of genre. I wince every time a child tells me, apologetically that they read graphic novels as if it was some sort of shame.* 

There is no shame in reading. We need all the readers we can get.

 

Maureen

@craicer

 

It’s nearly time for my monthly newsletter to go out. If you want the best of my bookmarked links in a handy monthly newsletter you can subscribe here to join our happy band.

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*I tell them my favourite graphic novels and then we have a discussion on illustration styles and pictures as shorthand for setting.

pic Photo by National Cancer Institute on Unsplash

AI - Publishing Saviour or Destroyer

 

 

This week in publishing,

 

Publishing Perspectives highlights the panels which will be featured at the Frankfurt Book Fair. Of course, there will be panels on AI and its impact on publishing. 

If you want some more informed chat about this drop into Joanna Penn’s transcript of her interview with Thad McIlroy on this topic. They are really on top of the benefits and challenges of AI to publishers.

For a slightly different take read James Scott Bell on whether publishers are already using AI to phone in books from their authors. A whole ethical mess just waiting to be uncovered.

 

For the down under readers, Booktopia has been bought – saved from liquidation, and there are hopes for its reinvigoration. You have to be optimistic in this game.

 

Mark Williams talks about Audibles AI powered search for audiobooks and how human narrators can use AI. 

 

Scholastic have released their annual- (sort of) family reading report. It is discouraging. With reports saying that Teens who read have less mental health issues… maybe doctors could prescribe reading books!

 

Jane Friedman’s blog this week has an interesting article about the hidden benefits of creating a book proposal. Anne Dubuisson and Jon McGoran start with number one- Organise your thinking.

 

Barbara Linn Probst has an interesting article on Writer Unboxed about whether you should accept your editor’s critique of your work. Sometimes a critique can have you going in the wrong direction for your writing. How do you know when to trust a critique or reject it?

 

Bang 2 Write has a great post on the top self care tips for writers.

 

Jacqui Murray has an interesting round up of great tech tools for authors.

 

Katie Weiland takes a microscope to the topic of theme this week. Can you write strong themes on purpose. And just how do you figure out what your theme is anyway. Another great post from Katie.

 

In the Craft Section,

The power of the first page - Resources- Becca Puglisi- Bookmark

Best places to write- K M Weiland

Unearthing Character- Dave King- Bookmark

Conflict - prolonging the agony- Becca Puglisi

Creating suspense in any genre- Michelle Barker- Bookmark

 

In The Marketing Section,

100 Book Marketing ideas- Written Word Media- Bookmark

Ways to get your ePub on Kindle- Dave Chesson

Guide to book giveaway platforms- Rachel Thompson – Bookmark

What gets people to buy your book- Brian Feinblum

Unlocking your author platform- Sandra Beckwith

How to get book reviews ethically – The Fussy Librarian

 

To Finish,

 

Last week I commented on the attending the New Zealand Book Awards for children and Young Adults and how many of the winning section books explored Tangata Whenua (Maori people) identity struggles, language, or history. It was a raising up of the indigenous storytellers. That got me thinking about writers who speak more than one language and whether they predominantly write in one or the other. Felicity Green wrote this week about the challenges of publishing bi-lingual books. It is a great article and reinforces the need for great editors in all the languages you wish to publish in. 

 

Maureen

@craicer

 

It’s nearly time for my monthly newsletter to go out. If you want the best of my bookmarked links in a handy monthly newsletter you can subscribe here to join our happy band.

If you want the weekly blog in your inbox subscribe to the Substack version.

If you like the blog and want to buy me a coffee, I appreciate virtual coffee love. Thanks.

 

Photo by Olenka Varzar on Unsplash

Picking Winners

 

In Publishing News this week,

 

The Guardian reported that there was no magic fairy that would help fund Literary Festivals in the UK. Here in NZ we are also facing this fact head on. There is no money. With austere government retrenching across the board the arts are seen as nice to have if we can afford it, but we can’t. The majority of our arts and science funding comes from profits made from government lotteries. The wish to win the big one is the poor man’s dream and the poor artists and scientists dream as well. Wouldn’t it be lovely if the jackpot could be arts funding for ten years or new research labs. The winner could have their name on the trust fund to administer it. Not bad for a $10 lucky dip ticket.

The UK Creators Rights Alliance is gathering steam. The alliance claims to represent more than 500,000 creatives who don’t want their work used by AI companies. There are some big organisations here, but will they see any traction? This could be a last rear-guard effort to man the barricades. 

 

Mark Williams lives and works in Africa. He explains what it is like to watch technology leaps in Africa that other countries had to live through. Remember dial up? Africa went straight to 5G. Is AI going to be the same?

 

Staying with AI- Don’t believe that it is reliable. Randy Ingermanson (Snowflake guy) recently tried using Chat GPT to do some writing for him and discovered that every quote was made up by the AI bot. What to do?

 

Publishing Perspectives reports that on one of the hottest days in the UK the Publishing Association’s sustainability pledge reached 200 company signatories. Publishing without waste, it just makes sense.

 

Story Empire has an interesting post on going to tertiary research institutions to get reliable information. – This is not just universities but also archives and museums. 

 

Dan Holloway of The Alliance of Independent Authors ( Alli) reports on Substack expanding its reach and making it easy for anyone to have a newsletter.

Alli are rejigging their podcasts, if you are a regular listener, and they have just published a super in-depth article on Marketing Strategies.

 

The Insecure Writers Support Group (fantastic group) have a great article on putting together short story collections.

Jeff Goins has an article on 10 steps to writing a book.

 

Katie Weiland has the next installment of her structure series. This is a great resource and well worth following along for some great craft teaching.

 

In The Craft Section,

The art of the outline- James Scott Bell - Bookmark

Story Structure as a fractal- September Fawkes- Bookmark

Use your theme to trim content- Suzi Vadori- Bookmark

7 tips for opening in media res- K M Weiland

5 mistakes writers make in fantasy stories- Lucy Hay

 

In The Marketing Section,

Amazon A+ content- Sandra Beckwith- Bookmark

What does your marketing data say- In depth teaching on data!

Amazon book description generator- Dave Chesson – Bookmark

15 Book promo ideas – Penny Sansevieri- Bookmark

Audiobook marketing using virtual voices- Penny Sansevieri

 

To Finish

Last night I attended the New Zealand Book Awards for Children and Young Adults. It was great to celebrate with this very supportive community the fabulous books published in the last year. A striking feature was the emphasis of the winners in telling our indigenous stories. Out of seven major categories, five were won by books with indigenous main themes. The evening was enlivened by speeches entirely in Maori with many in the audience able to understand the main themes. For many years we read and copied stories that had an American or British style, to tell us who we are. This century I think we can say the national book awards finally reflect us - a pacific island nation with our own unique voice and heritage. It’s been a long time coming and its fabulous to see.

 

Maureen

@craicer

 

Do you want the best of my bookmarked links in a handy monthly newsletter? You can subscribe here to join our happy band.

If you want the weekly blog in your inbox subscribe to the Substack version.

If you like the blog and want to buy me a coffee, I appreciate the virtual coffee love. Thanks.

 

Photo by dylan nolte on Unsplash

Who Are You?

In Publishing News this week,

 

Publishing Perspectives reports on the arrest of the International Publishing Association’s Prix Voltaire laureate Sihem Bensedrine. Sihem received the Priz Voltaire for her work on the Tunisian Truth and Dignity commission following Tunisia’s 2010 revolution. Now Tunisia is arresting her for it. Giving a voice to victims’ truth is always going to be unpopular for governments. How they deal with it tells you all you need to know about the people in power.

 

Last year the use of AI in the publishing community signaled plaintive cries that the sky was falling from publishers, authors and industry commentators.

This year the publishing community is looking to make money off AI in all sorts of forms.

The latest to take up the AI money spinner are the audiobook producers and the academic publishers. 

This week Audible announced a beta trial of AI powered search for audiobooks. This follows last weeks announcement from Scribd that they are Beta testing an AI search programme for their subscribers for ebooks and audiobooks.

 

Mark Williams of The New Publishing Standard looks at how academic publishers are quietly embracing money in return for letting AI companies have access to their books.

But will the money trickle down to the authors?

 

Various national copyright agencies are wrestling with the AI copyright problem. In the U.S. the copyright office has released the first part of a big report on AI. You may remember the writer’s strike last year which highlighted the dubious nature of AI copyright in producing scripts. The calls to tighten up laws around copyright are getting louder.

 

Amazon’s KDP are making some big changes. Dan Holloway reports on the rollout of Identity Verification requests for authors and publishers. It’s another way to limit the scammers. (Why did it take this long?)

 

Gizmodo reports on Colin Kaepernick’s new venture, Lumi. It is raising eyebrows and blood pressure levels in the comic book world. 

 

The Alliance of Independent Authors has just published a comprehensive article on all things AI for authors which I recommend reading to get some more information of what you can and can’t do. It’s here to stay you may as well learn about it.

 

The beauty of having a physical book is that you own it, you can read it at any time, make notes in it, or get it signed by the author. With digital products you don’t get that physical ownership feeling. Eleven years ago, I covered the launch of Enthrill. Their great idea was eBook cards as a physical product you could buy and gift to someone. Enthrill got bought and sold, swallowed up and disappeared. This week a new company has got the great idea to produce physical audiobook cards which contain a QR code to get your audiobook.

 

Allison Williams writes on Jane Friedman’s blog about the platform authors need now and it isn’t Social Media. This is an interesting article about showing up and practicing the 3 P’s.

 

Donald Maass asks a provocative question. Have you ever been reading a novel and asked yourself “Why should I care?” and then realized that you don’t.

He writes about flaws that sometimes elicits this reaction and where writers have made us care and why.

 

Katie Weiland has another super post on structure. She takes a deep dive into the inciting incident and how it shapes the story.

 

In The Craft Section,

7 tips to make your antihero stand out- Becca Puglisi- Bookmark

The most important thing to include in your story- Angela Ackerman

Your characters crucial inner conflict- C S Lakin- Bookmark

Backstory options for dual storylines- Jami Gold

4 questions to strengthen lean manuscripts- Lisa Fellinger- Bookmark

 

In The Marketing Section,

7 ways to promote your book on Goodreads- Rob Bignell

Securing Book Sales- Brian Feinblum- Bookmark

2 great posts from Roland Denzel- selling books with email and what you can learn from movie stars- Bookmark

Grabbing great blurbs- Carolyn Howard- Johnson

 

To Finish

Who do you write for? This question has no wrong answers, or does it? 

P J Parrish was asked this question on a panel which then highlighted different authors understanding of who their audience was and why they write.

It’s a great article on the power of your own voice and thoughts, and why this might be what your audience needs.

 

Maureen

@craicer

Do you want the best of my bookmarked links in a handy monthly newsletter? You can subscribe here to join our happy band.

If you want the weekly blog in your inbox subscribe to the Substack version.

If you like the blog and want to buy me a coffee, I appreciate the virtual coffee love. Thanks.

 

Photo by Rock'n Roll Monkey on Unsplash