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In Publishing News this week.

 

Spare a thought for the publishing community on the American Continent. With the new tariffs kicking in this week, the publishing community has been looking at their supply chains and wincing. They can’t print in China, the tariffs will hit them. They can print in America, but the bulk of their paper supply comes from Canada. If you want a Spanish language book- it comes from Mexico. Publishers Weekly takes a look at what else is going to hit hard for the publishing and writing community.

 

The London Book Fair is next week, and the International Publishing Associations president will be talking about sustainability and the importance of books for today’s issues. Publishing Perspectives has a great article on the president who knows first hand how books are important in a repressed society. “Our weapon is our knowledge.”

 

In the audiobook world- The Audies (awards for audiobooks) have just been awarded. If you check the list, they have awards in all sorts of fields. Many actors are featured as narrators. 

 

While the dream of a full cast of characters with famous actors might be beyond the purse strings of many authors, the AI voiced audiobook is getting more attention. Eleven Labs has launched an app that publishes audiobooks on their own site. It’s almost a one stop shop. Also making waves is their new deal with Spotify which offers 100% royalties to the author. 

Eleven Labs has a voice cloning service which might be useful to think about. Clone your voice and then publish your audio books. It could be a good option if you can’t pay for studio time to narrate yourself.

 

If you have ever wondered how to get a look inside preview on your website, this article from The New Publishing Standard will be of interest. Bowker has partnered with Indie Commerce – the commerce arm of the American Booksellers Association to make Book2look widely available.

 

Have you spent long hours in the university library trying to track down source material for your professor? Spare a thought for those institutions whose job it is to provide you the wide-ranging collection of sources. Academic libraries are being hit with huge subscription fees to access research from publishers. Publisher’s Weekly reports that the move is destabilizing the library and university press market.

This new move is punishing…right when we need access to knowledge. Sadly, the altruistic reasons for the internet - where you would be able to access the worlds knowledge wherever you are - is now paywalled behind data bases who are charging $25,000 for access.

 

Are writers uniquely vulnerable to getting scammed? Victoria Strauss gets asked this question a lot. She has been writing about writer scams for over twenty five years and there is always something new. We are not alone but we may be an easier target.

 

When you are eyeball deep in your manuscript it can be difficult to figure out where you should put breaks in the story. You don’t want to confuse the reader but ramping up tension is better if you leave the reader hanging. What to do? Reavis Wortham recently tackled this dilemma, with the article Give Me a Break on the Killzone blog.

 

Katie Weiland has a great craft article on your character’s three choices. They must have a fundamental choice, a primary choice, and a secondary choice. This is a print out and study article for learning about crafting characters.

 

In The Craft Section,

The top 20 developmental mistakes- Jenn Windrow- Bookmark

Deep POV checklist- Lisa Hall Wilson- Bookmark

Scars tell a story- Sue Coletta

Section breaks and how to use them- Kathy Steinemann

Best ways to pace your story- Lisa Poisso- Bookmark

 

In The Marketing Section,

What to do with one star reviews- Sandra Beckwith-Bookmark

Bookmarketing planning and strategy- Penny Sansevieri- Bookmark

Social Media for authors- Evergreen Authors

How to write an Author Bio- Penny Sansevieri

Marketing for introverts- Laura Gallier

 

To Finish,

Bands have discovered that playing live and selling merch is almost the only way they can make a living in these streaming times. Writers are now seeing the benefits of selling extra physical products, but you need to be discerning. You don’t want your brand on a crappy product. Check out this comprehensive article from the Alliance of Independent Authors about Author Merchandise. It can be a nice sideline along with audiobooks and writer’s special edition formats. It’s your IP. If it wasn’t important there wouldn’t be a clause in the standard publishing contract about it. 

 

Maureen

@craicer

 

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The Writing Business- Shaking Hands with AI

 

 

In Publishing News this week

Publisher’s Weekly reports that Readerlink will stop distributing mass market paperbacks this year. With Readerlink responsible for distributing 30% of all the books into big chains in the United States that is a big revenue hit. Will the cheap mass market format disappear? 

 

Bologna Book Fair names their licensing awards shortlist for 2025 and for the first time licensing for video games makes an appearance. It’s all about the merch in the children’s world. And if you aren’t sure, this is Intellectual Property (IP) based on a creators idea. Smurfs are still a big thing. I wonder how many of their original creators are getting a dividend.

 

The UK government has wrapped up ten weeks of submissions on their copyright and AI proposed law. They finished with a big campaign on the covers of Newspapers asking if AI was fair. It wasn’t just UK associations making submissions. Many overseas publishing organisations also submitted on the bill. Publishing Perspectives writes about what is happening next. Many are calling for transparency and licensing deals. Will the law take this into account? 

 

While the UK is grappling with writing a new law, across the pond Meta is in court trying to justify their theft to train their AI. I’m not sure their arguments- everybody is doing it, and apologise later, are good ones to make to the judge.

 

Mark Williams has his own particular take on the use of AI. Consumers love it. Therefore, we need to embrace it. This could be problematic when your contract arrives, and you have to state whether you have ever used AI or not on the project. Publishers are looking at ways to indemnify themselves from accusations of plagiarism.

 

The way forward into the AI forest looks dark and winding and it might be years before we see the sunlight on the other side. Shining a torch is Debbie Burke of the Killzone authors who explains how the Author’s Guild Human Authored campaign of registrations and stickers work.

 

Jenny Hanson has a great article over at the Dynamic Duo’s blog on Book Structure for Disorganized Writers. Remember writing and plotting is unique to each writer. Jenny offers some handy tips to make sense of your process.

 

Russell Nohelty has the mega post/tutorial on Book Marketing. There is absolutely something for everyone in this post. Bookmark it! 365 simple ways to talk about your writing and keep readers engaged all year. 

 

Carol Michel has updated her very popular post on Jane Friedman’s blog about How to market a book without social media. Also on Jane’s blog is a great article by Lisa Cooper Ellison on Memoir Mistakes. When the backstory derails your narrative.

 

 

In The Craft Section,

9 ways to originalise your story idea- Becca Puglisi

Circling conflicts- September Fawkes- Bookmark

Alternatives for Speechless – Kathy Steinemann- Bookmark

The backstory balancing act- Marissa Graff

How to avoid flat characters in your story- Angela Ackerman- Bookmark

 

In The Marketing Section,

3 ways to get amazon reviews- Bang 2 Write

Your voice, your narration- Cindy Gunderson - Interesting article!

5 handy tips for book marketing- Rachel Thompson- Bookmark

Article ideas for book publicity- Sandra Beckwith- Bookmark

The author media kit- Penny Sansevieri- Bookmark

 

To Finish

James Scott Bell always has wise words about writing craft but he has a good business brain for writing as well. It must be the lawyer training. He has an interesting take on the writing business and what is happening in traditional publishing. Remember that publishing is a business, and you should understand this with every contract you sign. One of the most important clauses now for a writer is the rights reversion clause. The old out of print clause doesn’t cut it now with eBooks, so put a time limit on it. 

It's all IP and that’s what the publishers are buying, as much of your intellectual property as they can get. It is a pot of gold if they can on-sell your merch rights to the video game developer before you get the rights back.

 

Maureen

@craicer

 

Do you want the best of my bookmarked links in a handy monthly newsletter? You can subscribe here to join our happy band.

If you want the weekly blog in your inbox subscribe to the Substack version.

If you like the blog and want to buy me a coffee, I appreciate the virtual coffee love. Thanks.

 

Photo by Lukas on Unsplash